SESAC
The third-largest US PRO (after ASCAP and BMI), notable for being a for-profit, invitation-only organization. SESAC licenses the public performance of its affiliate songwriters' compositions and distributes royalties. It is owned by SESAC Holdings Inc.
Articles about SESAC
ASCAP vs BMI vs SESAC: Which PRO Should You Join?
Choosing the right PRO can change how much you earn from performances and how reliably you collect international and streaming royalties. In this ASCAP vs BMI vs SESAC comparison we break down membership rules, payout mechanics, switching logistics, and what each organization actually collects so you can pick the one that fits your career.
ASCAP vs. BMI vs. SESAC: Which Performance Rights Organization is Right for You?
Joining SESAC, known for exclusive invitation-only membership, is to being part of an elite club within the realm of performance rights organizations . This music rights agency prides itself on offering personalized service and a unique boutique experience that larger organizations may struggle to provide.
How to Register Your Music Copyright in the US and Internationally
How to register copyright music for your songs and recordings matters more than many artists realize, since registration creates a public ownership record and unlocks legal remedies and revenue streams. This practical, step by step guide explains which US Copyright Office forms to file for compositions and masters, how to register with PROs and SoundExchange, and the metadata, ISRC, and ISWC steps that actually get you paid internationally.
How to Land a Sync License for Your Music in Film and TV
Landing a placement in film or TV can deliver a meaningful sync fee and a big visibility boost, but most opportunities stall because rights are unclear or assets are poorly packaged. This practical guide shows how to get a sync license step-by-step: which rights to clear, the exact files and metadata supervisors expect, where to pitch, negotiation musts, and how to collect every fee and performance royalty after a placement.
Every Way to Earn Music Royalties as an Independent Artist
As an independent artist, understanding the different ways to earn music royalties separates missed income from real revenue. This checklist walks through eight distinct royalty streams, who collects them, realistic earning examples, and three concrete steps to start collecting each one, with international registration tips and services to compare.
All the Income Streams a Music Publisher Can Unlock for You
Music publishing income streams are messy and fragmented, and most independent songwriters only access a fraction of what they are owed. This list breaks down the seven income types a publisher can unlock, names who collects each payment, gives concrete examples, and leaves you with practical next steps to start claiming royalties.
Best Performing Rights Organizations for Independent Artists
Choosing the best PRO for independent artists can be the difference between getting paid for performances and leaving money uncollected. This list compares the top PROs and complementary collection services across territory, membership rules, payout cadence, international reach, and practical strengths so you can pick the right fit and recover royalties you might be missing.
The Most Expensive Music Publishing Mistakes Independent Artists Make
Independent artists routinely leak thousands in royalties through predictable music publishing mistakes that rarely show up on royalty dashboards. This post pinpoints the seven costliest errors, quantifies typical revenue impact, and gives step-by-step fixes with the exact organizations and forms to use - from BMI and The MLC to SoundExchange and major international CMOs - so you can recover missed income and stop future losses.
How to Register Your Songs With a Performing Rights Organization Step by Step
Knowing how to register songs with a PRO is the single most effective step an independent writer can take to start collecting public performance royalties . This concise, step-by-step guide shows exactly what metadata to gather, how to set writer and publisher splits, when to register recordings with SoundExchange or neighbor rights societies, and how to verify and correct registrations so you do not lose revenue.